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Tickets

Confirmed Guests Adrienne Wilkinson

  • Adrienne Wilkinson

    Star Wars: The Force Unleashed, Xena: Warrior Princess, Raze

    Anime & Animation Film & TV Recently Announced

  • Hien Pham

    Gothic Tales of Haunted Love, The Young Giant

    Comic Book Creators Recently Announced

  • Regina Akora

    Otome Life, LOLI-POP!

    Comic Book Creators Recently Announced

  • Craig Phillips

    Giants, Trolls, Witches, Beasts: Ten Tales from the Deep, Dark Woods

    Comic Book Creators Recently Announced

  • John Levene

    Doctor Who

    Classic Guests Film & TV Recently Announced

  • Dan Feuerriegel

    Spartacus: War of the Damned, Agents of S.H.I.E.L.D.

    Film & TV Recently Announced

  • Marcelo Baez

    Hulk Saves The Day, GISH, The Phantom

    Comic Book Creators Recently Announced

Marcelo works as a professional freelance illustrator and comics artist in Australia and overseas.

He is currently the official In the House Event cinema poster artist as well working on a new series The Artist’s Room, featuring some high profile Australian actors.

Also he was the artist for a Marvel Super Heroes Squad book Hulk Saves the Day.

He illustrated a post apocalyptic action comic named GISH, a cross-platform project which is being developed with @iscreenacademy into short live action film.

Late last year he illustrated a wrap around cover for the Phantom comics.

Recently he has completed a set of official Marvel Avengers interconnected limited edition prints and a newly released Wolverine print set.

His list of clients include international companies such as Marvel, Time Inc, Event Cinemas, Frew publishing, Hardie Grant Egmont, Popular Mechanics US, GQ Australia, Microsoft, Men’s Health, Miami New Times, National Geographic, Scholastic, Dallas Observer, Time Out Singapore, Stone Arch books, Philadelphia magazine and many more.

On his drawing table currently is the second draft of a 100 page strange greek myth graphic novel.

Marcelo is represented in the US by Shannon Associates New York.

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